Visualize an art gallery that was almost a big as three football fields. Or imagine one hundred and fifty or so galleries all rolled into one. Wouldn’t that be a form of paradise for an art enthusiast? Well, that’s exactly what MiArt was like. Indeed, it was just the place for people who find themselves perpetually pushed for time, and for whom visiting each art gallery individually would prove utterly unfeasible.

MiArt is Milan’s annual international exhibition dedicated to modern and contemporary art. If you are a modern and contemporary art lover, then the opportunity to see so much in one place translates MiArt into an event that is not to be missed.

For those of you who may be a little unsure as to exactly what the difference between modern and contemporary art is, modern art is the term given to works produced between the late 19th century and around the start of the 1970’s. Contemporary art, on the other hand, is generally considered to be any work produced from the late 1970’s to the present. Admittedly, it is at times a little difficult to decide whether to label items as being modern or contemporary art, as there is some overlap of the periods to which the definitions refer.

Reflecting burgeoning growth in demand for modern and contemporary art of recent years, the MiArt exhibition is now in its thirteenth year. The extent, variety, and richness of the works on view makes a visit an enthralling way to while away an afternoon. Even those who have never found these genres of art particularly interesting, may well come back from the exhibition a convert.

This year, the MiArt exhibition was housed in three large spacious pavilions at Milan’s FieraMilanoCity exhibition area, which is easily reached from the center of the city via the metro system.

For those who wanted to see the crème della crème of the modern art world, including the works of noted artists such as brothers Giorgio De Chirico and Alberto Savinio, not to mention others such as Scanavino, Carrà, and Morandi, these were to be found in an area resembling a huge art gallery, complete with red carpeting. The atmosphere was relaxed and it was possible to wander right up to the works on display and chat with the gallery owners, who were more than ready to answer whatever questions one may have had. Those who felt like adding to their art collections may have also opened negotiations here.

While the section of modern artworks was impressive, upon entering the exhibition, one may have been tempted to head straight up the escalators to the ‘Anteprima’ or ‘Preview’ section. Bending to this temptation, would have been no cause for regret, especially if one wanted to discover what the future may hold. In fact, the Anteprima section offered a varied selection of the works of up and coming foreign and Italian artists.

Although many of the stands at MiArt were dominated by Italian art galleries, some art dealers from outside of Italy were also in evidence, especially in the Anteprima section. Indeed, some of the latest work by Columbian artist Marco Mojica was to be found.

Many of Mojica’s colourful eye-catching images are stylised representations of everyday scenes, although one particular work his curious surrealist image entitled Spaghetti Man represented something of a departure from the usual themes of his work. And tucked away in a corner was another of Mojica’s images, Proyecto Coca-Cola, which was presumably commissioned in connection with a Coca-Cola advertising campaign. It is a rich colourful image, and well worth a look.

After having spent time drifting around all that the Anteprima area had to offer, the next stop might well have been the Contemporary Art hall. And if you found the Anteprima section fascinating, then you would have found a real feast for the eyes here.

The wide range of artwork on display included everything from paintings and sculptures, to pieces employing intriguing lighting effects. However, it was the colors that hit you the most. Bright, almost loud, tones were in evidence everywhere. Reds, yellows, and vibrant blues filled the display space with color and created an effect which was truly uplifting.

As with most events of this nature, there are certain items which really catch the eye. Sometimes for their originality, or others for their captivating visual appeal which manages to reach out and virtually draw you towards them.

Yet more interesting treats were hidden within the often labyrinthine layout of some of the stands. For those inclined to explore, this aspect of MiArt provided one with an opportunity to discover original and thought provoking pieces. Indeed, this was the real power of MiArt. You never knew just what was going to be hidden round the next corner.

One such hidden gem was the striking life size Moto sculpture by artist Simone Racheli. This ‘carcass’ of a motorbike looked as though it was a living creature from which the skin had been peeled. Not to everyone’s taste admittedly, but the provocative originality of this work made it well worth viewing. It would be no great surprise to hear that Italian motorcycle racer Valentino Rossi, the seven times world champion, had acquired this. For Rossi Moto would perhaps represent the way in which man and machine become almost indistinguishable.

MiArt really does provide its visitors with a fascinating voyage through the modern and contemporary art world. It is well worth checking out.

Those finding themselves in Milan on business from time to time, and who find modern or contemporary art fascinating, could do worse than fixing up a few meetings while MiArt is on. One small piece of advice, try to get there soon after midday which is when the exhibition opens. Do this and you will manage to avoid the sizeable crowds which this event attracts.

If your appetite for modern and contemporary art has been whetted by this article, then you may like to note that the next edition of MiArt is to be held from the 27th to the 30th March 2009. You can find more information by visiting the MiArt web site.